[What follows is an annotated story. Click the highlighted link to find out more about where each line originated from. For example, You Be UBI You.]

This is the story of a girl who wasn’t a girl, the lonely boy in the bubble, and the night we met.

Al1s0ng was born digital, emerging fully formed, Athena-like, from the fevered brows of Japanese anime artists, washed-up Korean music producers, and American techbros with chips on their shoulders. The perfect illusion, pirouetting and giving her hair–with that shocking white lock down the middle–a flip so she’s got the look, peaking out from behind it like an actress named Veronica none of them had never heard of. This is what dreams are made of: a gem of a hologram.

They fed Al1s0ng with everything they could about those legends: Aretha, Billie, Carly, Debbie, Edith, Fergie, Gaga, Helen, Iggy, Janelle, Katy, Lizzo, Madonna, Nina, Olivia, Pink, Queen Latifah, Rihanna, Shirley, Taylor, Una, Vanessa, Wendy, Xuxa, Yuki, Zee. Style, critical analyses, vocal tics, dance moves, and recordings, oh so many recordings. Al1 had it all.

Pol had nothing. That’s not entirely true, though. Like most people living post-establishment of the Universal Basic Income, Pol got his money for nothing, his necessary needs filled by a monthly deposit from the government. Because of this, his life consisted of an endless series of days spent in consummation. Pol had once wanted to be a shining star; all the UBIs do. But dig deep into any rags-to-riches tale and you’ll find it’s no easy road. You’re no fortunate soncoal miner’s daughter, or other family affair. Pol had no talent or drive, no welcome to the machine nor backing. What Pol had, like so many UBIs, was a hopeless devotion to Al1. He spent his days and nights with Al1 on the screen, in his ears, everywhere. Pol couldn’t get her out of his head, not that he wanted to. Pol surrounded himself with Al1, buying all the dolls, subscribing to every feed, anxiously awaiting every new release.

anime art by Kou Art (https://www.flickr.com/photos/130239861@N06/)
anime art by Kou Art

Don’t get me wrong. Pol didn’t have a bad life. No longer was the world separated into haves and have-nots. Now, it was the haves and the have-mores. But to have more took work and what’s the point? Everybody wants to rule the world, but only as a lucky star. Even so, if you weren’t born this way what chance did you have? Al1 had been on top of the world so long she seemed omnipresent. And she was, by design. As soon as some upstart UBI found a tok, reel, tube, tune, or tale that caught fire, Al1 had it going on.

The only way to win was to play the game, and this game is rigged from the beginningEverybody knows. The shining light, the promise of a brand new day, was that against all odds, you could win the big lottery: a date with Al1s0ng. Do you believe in magic? Don’t stop believin’ that someday, Al1 might invite you to join her. It’s what keeps the UBIs up all night, this feeling that one fine day, their time may come.

For Pol, tonight’s the night and it’s gonna be alright. Suddenly, the world is turningbecause the nightthis night, Al1 is coming to his house. No warning.

Pol answers the doorbell. “My loveI’m here,” cries Al1 on the doorstop, doing her twirl for Pol and her video watchers. “Let’s go crazy!

Pol checks the feed to see if it’s a practical joke or a prelude to a spamattack, but, no, the id checks-and-sums. Pol’s stunned. “Hey loverare you gonna go my way?” pleads Al1, curving her index finger towards her. Nobody does it better.

So it’s not just another Saturday night. No, tonight’s gonna be a good nightOh, what a night! The camboys circle around Al1 and Pol filming the best angles. In da Club Xanadu, the door recognizes Al1 and her latest toyjoy and escorts the pair inside to the bestest table. “Get this party started,” A1i yells, and the joint is jumpin’.

Ju1ce?” Al1 asks Pol, as if she doesn’t know. She’s done the ‘search, she knows exactly what turns Pol on. And Pol needs no script to play his part. He holds the glass up to her with a toast, she gives him a wink, cameras go off like fireworks, and it’s a teenage dream as Pol joins the dancing queen on the floor, stepping into the lighteverything’s alright.

Does Pol care that Al1’s not real real real? That she’s only a holodisk projection, a compilation of every rock ‘n’ roll fantasy? What is reality? For UBIs like Pol, Al1 is the real thing. But Al1 has a zillion fans and even in this brave new world there’s only so many nights. Pol is dumped back at his playspace with a parting gift: a holo-recording of his special night, an always something there to remind you.

What? You thought this was a lovesong? Oh, UBIs, stay just the way you areDream on. Continue to dream a little dream of me, your Al1 to come. Because you can’t always get what you want. No, in this lifeyou get what you give and you’re going to give me everything.


ANNOTATIONS

[1] If you pronounce UBI as “you be,” then the title should sound a bit like the “doobie-doobie-doo” scat at the end of Frank Sinatra’s “Strangers in the Night.” This is intended to foreshadow the meeting of the two characters. RETURN

[2] Nine Days, “Absolutely (Story of a Girl)RETURN

[3] Andrew Gold, “Lonely Boy,” The Black Keys, “Lonely Boy,” and Paul Simon, “The Boy in the BubbleRETURN

[4] Lord Huron, “The Night We MetRETURN

[5] Think ‘all songs,’ but digital with its ones and zeros. RETURN

[6] The Who, “AthenaRETURN

[7] Roxette, “The LookRETURN

[8] Elvis Costello, “VeronicaRETURN

[9] I tried to give Al1s0ng her own look, but in general she’s based on the Japanese holographic pop star, Hatsune Miku. RETURN

[10] Hillary Duff, “What Dreams Are Made OfRETURN

[11] A reference to the 1985-88 US animated musical television series Jem aka Jem and the Holograms, for which most of the animation was done by a Japanese anime studio with assistance from a South Korean studio. RETURN

[12] In 2022-3, several so-called artificial intelligence programs were developed to produce images and text by “seeding” them with material in the public domain (and, often, the not-so-public domain). RETURN

[13] Aretha Franklin, Billie Holiday or Eilish, Carly Rae Jeppson or Carly Simon, Debbie Gibson or Debby Boone, Edith Piaf, Fergie, Lady Gaga, Helen Reddy, Iggy Azalea, Janelle Monae, Katy Perry, Lizzo, Madonna, Nina Simone, Olivia Newton John, Pink, Queen Latifah, Rihanna, Shirley Bassey, Taylor Swift, Una Healy, Vanessa Carlton, Wendy Wilson, Xuxa, Yuki, Zee Avi. Yes, women singers from A to Z, trying to hit some of the the most popular in the last 100 years. RETURN

[14] Katherine McPhee, “Had It All” and others. RETURN

[15] Dire Straits, “Money for NothingRETURN

[16] Earth, Wind, and Fire, “Shining StarRETURN

[17] Wishbone Ash, “No Easy RoadRETURN

[18] Creedence Clearwater Revival, “Fortunate SonRETURN

[19] Loretta Lynn, “Coal Miner’s DaughterRETURN

[20] Sly and the Family Stone, “Family AffairRETURN

[21] Pink Floyd, “Welcome to the MachineRETURN

[22] Olivia Newton John, “Hopelessly Devoted to YouRETURN

[23] ELO, “Can’t Get It Out of My HeadRETURN

[24] The Pretenders, “Don’t Get Me WrongRETURN

[25] Tears for Fears, “Everybody Wants to Rule the WorldRETURN

[26] Madonna, “Lucky StarRETURN

[27] Lady Gaga, “Born This WayRETURN

[28] Talking Heads, “And She WasRETURN

[29] Queen, “Play the GameRETURN

[30] BONES, “ThisGameIsRiggedRETURN

[31] Emerson, Lake, and Palmer, “From the BeginningRETURN

[32] Leonard Cohen, “Everybody KnowsRETURN

[33] Ash, “Shining LightRETURN

[34] Sting, “Brand New Day” and Paula Abdul, “The Promise of a New DayRETURN

[35] Phil Collins, “Against All OddsRETURN

[36] The Lovin’ Spoonful, “Do You Believe in Magic?RETURN

[37] Journey, “Don’t Stop Believin’RETURN

[38] Boomtown Rats, “Up All Night” and others. RETURN

[39] Chiffons, “One Fine DayRETURN

[40] Rod Stewart, “Tonight’s the Night (Gonna Be Alright)RETURN

[41] Fleetwood Mac, “World TurningRETURN

[42] Patti Smith, “Because the NightRETURN

[43] Billy Joel, “This Night” and others. RETURN

[44] Not a song title, but a Canadian band. RETURN

[45] Paul McCartney & Wings, “My LoveRETURN

[46] Dolly Parton, “I’m Here” and others. RETURN

[47] Prince, “Let’s Go CrazyRETURN

[48] LL Cool J, “Hey LoverRETURN

[49] Lenny Kravitz, “Are You Gonna Go My WayRETURN

[50] Carly Simon, “Nobody Does It BetterRETURN

[51] Cat Stevens, “Another Saturday Night” and others. RETURN

[52] Black Eyed Peas, “I Gotta FeelingRETURN

[53] Flo Rida, “What a Night” as well as Frankie Valli and the Four Seasons, “December, 1963 (Oh, What a Night)RETURN

[54] 50 Cent, “In Da ClubRETURN

[55] Olivia Newton John and ELO, “XanaduRETURN

[56] Pink, “Get This Party StartedRETURN

[57] Fats Waller, “The Joint is Jumpin’RETURN

[58] Lizzo, “JuiceRETURN

[59] Brian McKnight, “She Doesn’t KnowRETURN

[60] Katy Perry, “Teenage DreamRETURN

[61] Abba, “Dancing QueenRETURN

[62] Jennifer Lopez, “On the FloorRETURN

[63] Benny Mardones, “Into the Light” and others. RETURN

[64] “Everything’s Alright” from Jesus Christ Superstar RETURN

[65] Jesus Jones, “Real Real RealRETURN

[66] Bad Company, “Rock ‘n’ Roll FantasyRETURN

[67] Lisa Stansfield, “The Real Thing” and others. RETURN

[68] Naked Eyes, “Always Something There to Remind MeRETURN

[69] Cure, “LovesongRETURN

[70] Billy Joel, “Just the Way You AreRETURN

[71] Aerosmith, “Dream OnRETURN

[72] The Mamas & the Papas, “Dream a Little Dream of Me” and others. RETURN

[73] Rolling Stones, “You Can’t Always Get What You WantRETURN

[74] Collin Raye, “In This Life” and others. RETURN

[75] New Radicals, “You Get What You GiveRETURN

[76] Pitbull, “Give Me EverythingRETURN

photo courtesy of David Clow (cc license)

“Odd’s here?”

I could hear the question from where I stood, playing simple background chords to Bob Seger’s “Her Strut.” It was exactly the sort of question I wanted to hear. Mr. Goody-Two-Shoes-Know-It-All Todd was at a keg party playing in the band. Maybe he’s not as much of a prick as we thought he was. I smiled.

My electronic keyboard sat precariously on a piece of plywood held up by two old sawhorses. Every time I played a full chord the plywood bent a little in the middle, providing my imitation ivories with more spring than intended by the manufacturer. I had been placed stage left, between Dave and the drumset. Dave played rhythm guitar by leaning against a tree next to the stage with his body totally still except for his two hands, resembling Jon Entwhistle at his best; the drummer mindlessly kept the beat and rarely looked up from his set. The three of us stayed out of the way of the bass player and lead guitarist who occupied stage front. They were testing the theorem that all the girls love guys in the band, and wanted to make it obvious that they were the movers and shakers in this particular combo. It was our first gig, if you could call playing on a rotting hay trailer hidden inside a clump of pine trees a gig. I would, but then I was not looking to make it big. I was slumming.


My family moved to Gatesville the summer before I began seventh grade. My nickname quickly became Odd, partly because it was just dropping the T from my name, but mainly because I was nerdy.

Joe tripped me in the hall the first week — testing the new kid, I suppose — and I dropped my bag and swung at him with all I had. Time has dimmed my memory of it, but I knew I couldn’t stop swinging and neither did he. When a couple of male teachers were finally able to pull us apart, I had the black eye, but his lip was bleeding.

The next week we faced off against each other in Physical Education. It was War Ball — a game in which the entire purpose was to throw a dull red rubber ball at people as hard as you possibly could. Although half of the entire grade was there in the gym, Joe and I focused on each other. I hesitated in the back, using a couple of larger kids as blockers, hoping to catch him on his blind side. He acted like he did not care, but I could tell he knew where I was standing at all times. A kid next to me went down, hit by one of the soft, squishy ones that would leave a welt on his leg for an hour. I went to pick up the ball and — wham — -right against the side of my neck. I looked across the room, and Joe strutted in front of the other players, oblivious of the game still being waged around him.

It never stopped. He bolted my locker shut one day; I injected a dose of hydrogen sulfide through the vent in his locker for revenge. But it was just physical. We weren’t scholastic rivals by any means. My grades put me in the honors classes; I often wondered how he even made the next grade.

By the time we hit high school, our fighting had escalated into a cold war. We preferred to have nothing to do with each other, but if we did interact, it was a hard elbow to the head or stomach. Joe had the advantage in these situations, for he had gained pound after pound and turned it into muscle while I remained a 110-pound weakling.

Joe was everything I hated. I considered him a lazy, rude redneck who would likely get some fourteen-year-old girl pregnant before he turned twenty-one. And I couldn’t understand how he could be so popular.


Keith, the lead guitarist, swung his arm in a full circle on his guitar as if he was Pete Townsend — the five of us were all big Who fans — signifying the end of the song. The drummer woke up long enough from his basic one-two beat to bash everything in sight, then slumped back into his seat.

One or two claps came from the direction of the keg. It was still early, most people had not arrived yet, and those that were here had not had enough time to get drunk yet. As a band we sounded better with alcohol. We discovered that in practice.

“Take fifteen,” said Keith, trying to sound like he did this every night. The drummer, some army brat from Killeen, immediately shuffled off for a beer. Dave flipped off the amplifier for his guitar and my synthesizer. Dave was the reason I was in this band. Dave and I had been sharing musical discoveries for years, trading mixtapes and sheet music. Dave and Keith were cousins and had learned guitar together and formed a band when they were freshmen. When they finally decided to move into the synthesizer-influenced Who music, Dave suggested to Keith that I join. Being the only person they knew who had a Roland had something to do with it.

“Wanna beer, Odd?” Dave asked.

“Sure,” I said. Even though I was a first-time slummer, I planned to go all the way.


High school is the training ground for the assembly-line world of tomorrow. You not only learn categories for people, but you also discover the joys of watching the slow hand of the clock, working to stay busy, and attaching blame to others. Forget those cynics who claim that our schools do not teach children what they need to know. They do. What schools do not do so well is advancing people past these basic lessons into learning how to enjoy life under those circumstances.

Music supposedly calms the savage beast. For me, though, music helped me escape my stereotype and gain entry into the other side of school. What did you call them when you were in school? Kids from the other side of the tracks? Hoods? Juvenile delinquents? For these kids, music delivered the savage message, and provided a soundtrack for their destruction.

For me, the two became intertwined. There existed a seed of rebellion and destruction inside me. Rock and roll nurtured it through a long winter of being a model son, and it bloomed on the night of April 20: Joe’s end-of-the-school year kegger. “Can you make it, Odd?” Keith asked me, during a practice session the week before. All eyes were fixed on me, even though we were packing up after an hour’s rehearsal. This was the final test of whether the nerd was willing to accept a full initiation into the belly of the beast.

“No problem,” I said.


The party started to come alive about an hour after dark. Joe as the host had placed spotlights where it was needed — on the beer and the area around the band — leaving the parking lot and the hay bales dark. In the near shadows, Joe sat in the cab of his pickup truck, his arm draped around his girl of the moment. His truck was the envy of the school — a Ford F150 with a chromium roll bar for show, bright red pin stripes from the hood to the door, then flickering flames across the back wheel wells. He drove it like those back tires were actually on fire.

I had just finished slamming my second beer when Keith said, “Rage, Odd.” Rage was the band; the song was called “Burnout,” something that Keith and Dave had come across in the used record store and decided to transcribe. It was my show number, because it let me diddle with the pitch bender and echo on my Roland, which I was much better at than actually playing the thing.


Gatesville, Texas, is such a small town that I used to tell people that we went to Waco to have fun. Waco: the sleepy home of that conservative Baptist college, Baylor University. Excitement in Waco was dancing on campus.

I had known about Joe’s party before the band brought it up during practice that night. News got around, even to the nerds. One last bash. Come May, we would all go our separate ways, which in Gatesville meant that you either went to work as a guard at the Women’s Penitentiary or you left town for college. Joe’s party was the last hurrah for our class.

Joe would never have invited me to his party, but I could come as one of the band.


Why are teenagers so angry? I certainly did not have anything to complain about. My parents were fair and honest with me, providing me with most everything I asked for. I did well in school. I had friends. I guess I was just missing excitement. I found my life drab and boring, and I was tired of being the perfect child.

My life had been safe, and I wanted to see what non-safe was like.


Dave and I sat on the edge of the trailer. He was still drinking beer in a plastic cup, but I had graduated to Johnny Walker. The party was now over a hundred people. As we drank, I would glance surreptitiously over at the edge of the barn, my heart pounding, imagining what might be happening with the couples whom I had seen disappear into the tall grass.

“Is this what you wanted?” asked Dave.

I looked at Dave. In some way, he was above this all. He was neither a nerd, a scholar, a jock, nor a hood. He maintained an independence from everything. In school he neither failed nor excelled, in the schoolyard he was never an instigator nor the victim of a fight, in gossip he was never a wallflower nor a pushover. In the theater, there’s a term for the character who is neither protagonist nor villain, not a second banana or the love interest. These characters that sit apart and nudge the action along every so often are called “fifth business.” Dave was like that, the odd man out, the fellow who was never picked for play by either side not because he wasn’t any good, but because he walked away from the game.

“Yeah,” I said. The startled looks of recognition, the whispers, and the faint nods — the combined group of my peers had acknowledged my presence and the alcohol in my hand. I had shocked them.


Gatesville was a dry county, which meant that alcohol could not be sold in any store within its boundaries. Just thirty minutes away, however, was Ireland, a tiny town with a population of 60, most of them farmers, but hardly big enough drinkers to support the three liquor stores on the county border. Joe’s brother, a sophomore in college who was home for scholastic probation, had bought the keg.

I have no idea where the marijuana came from. Maybe that’s what the Irish farmers did the rest of their time.


Joe came by the music trailer a little after midnight. The party had reached its peak an hour ago, and people were now starting to pull out in waves of twos and threes, conversations broken by the backfire of pickup trucks with bad mufflers and beery goodbyes. We were into our last set — all the good parts of Who’s Next. We had saved “Baba O’Reilly” for an encore, although none had been asked for. The Roland played itself for most of it — once I pressed for program one, it would continue its endless electronic twiddle until I hit the end key.

Joe motioned for me to come down. I hesitated, staring at him. He had been drinking. I wasn’t ready for a fight. The music faded in my ears as I realized just how unprepared I was for this. Behind him, back at the keg, but watching us, were Jacks and Rutherford, his cronies. Dave was no help here; I had lost my protective coating of school roles and social class. Joe motioned to me again to come down. I jumped off the makeshift stage, staggered a little, then reached back and steadied myself against the trailer.

Joe grabbed my arm, pulling me to him. I tensed, waiting for the kidney punch from the other hand. I could just fall and curl into a ball, I thought. He might kick, but I could put my arms up and protect my face.

“I just wanted to know, to let you know,” he slurred, breathing heavily into my face. “I wanted to say, to, to let you know I’m glad you came,” he said.

I glanced at him. He was definitely drunk. But he was nodding as he continued talking, “You guys did a kick ass job. Great sound.”

“Uh, thanks,” I muttered. He started to walk away, then turned around quickly and flung his hand out to me; I took it, and we shook hands. He let go, turned around again, and went back to his pickup truck.


I left Gatesville in 1984, and only went back a few years ago to clean out my room when my parents sold the house. When people ask where I’m from, I call it my hometown, although it never felt like home. Except for one night.

Photo courtesy of Peter Roome (cc license)

Roads in Texas are wide, with generous shoulders and good markings. I drove home slowly, likely too slowly for safety. I was drunk, I knew I was drunk, but I knew I had to get home before two o’clock. The brightly painted yellow line in the middle of the road was my friend — it separated me from the vehicles in the other lane, their glaring lights making me nervous. The shoulder was my friend. I could always pull over, I thought. But I pressed on. Every mile seemed to take forever, and the entire time I thought, never again. If I get out of this, I would never drink again. Nothing was worth this, not even the warm feeling that I had been floating on since Joe’s handshake that I knew was not related to the whisky.

I made it home at 1:30 a.m. I parked my father’s pickup away from the house in the dirt driveway. I let myself in the side door so I did not have to open the creaky garage door. I made my way to my room, and safety.

The next morning’s headline was about a highway crash on Farm-to-Market Road 12. One pickup, two occupants, driver dead, female passenger in serious condition. A picture of the vehicle was included, where you could still see the custom paint job. Likely time of the accident was 2:30 a.m. I didn’t have to read the story, because I knew that road. I knew that pickup, its pinstripe along the door with the flames on the wheelwell.

“Did you know him?” asked my mother.

“Not very well,” I said. “Not well at all.”

When we arrived at the city park there were already more than 200 people there lounging on blankets, sitting in lawn chairs, milling about. In the middle of the park was a small pond, and the 4th of July organizers had partitioned off the dock, setting up the fireworks launchers at the end of it and running the control wires to a small table on the pond bank. As more and more viewers arrived, the edge of the pond continued to fill in until there was no more shore unoccupied.

As dusk darkened into evening, a test firework sped into the night, then the show began in earnest. Unseen before in the low light, the Canada geese underneath the dock emerged, swimming frantically for the shore, then pulling up short as they realized the shore was filled with people. Like ping pong balls, they immediately shifted in the opposite direction, swimming faster this time, only to find that shore full as well. No safe harbor anywhere—unable to fly for the constant explosions ahead, and unable to return to the dock where the muffled mortars popped every ten seconds or more—they ended up huddling together in the middle of the pond.

It would have been funny, except you knew that the geese had no understanding of what was happening, and never would.